Matthew Coleridge's beautiful and moving Requiem was written in 2016. Choosing to omit certain sections such as the Dies Irae and In Paradisum, the Requiem shows an affinity towards the music of Ockeghem, de La Rue and Richafort. The work is a tribute to a departed soul, the solo cello part can perhaps be seen as an embodiment of that soul.
"A valuable addition to the 21st century choral repertoire" - Sir Neville Marriner. More >>
The compositions on this album have been described as emotional and alluring, classical yet contemporary and with a certain cinematic quality. The sense of storytelling is all-pervasive and flowing piano textures, lush string writing and lyrical melodic lines alternate with moments of solitude and contemplation. More >>
Julius Burger was a gifted Viennese musician, conductor, repetiteur, and composer poised to make his mark on early 20th Century music, that is, until the rise of antisemitism and the Nazi party forever altered his life and took him on a journey in exile, across continents and cultures, and would come to reflect the very themes of Romanticism which he cherished. Burger’s varied career took him from Berlin Radio and the Kroll Opera house to the burgeoning BBC and later working with Columbia Records as well as a long tenure at the Metropolitan Opera where he coached some of the greatest voices of the 20th Century. But it wouldn’t be until he was in his 90s that he would finally fulfil a lifelong dream of hearing his own compositions performed.This album represents the first ever recordings of Julius Burger’s lieder, spanning from 1915 to his final piece in 1988. These lieder show a master of his craft and a legacy from a world which was thought to have been lost. A life in exile is a heavy burden to bear and, where many lose their artistic purpose, Burger persevered. According to those who knew him, Julius Burger considered his works to be his children, having no offspring of his own. It is our hope that with this album, his children will finally step off the faded manuscript pages and into the world. More >>
In the first of a projected series of Experience releases showcasing organs in the seaside town of Eastbourne, Alexander Eadon returns to Willowhayne Records to perform a programme of music recorded at St Saviour's Church, in recognition of the 150th anniversary of its consecration.
The programme includes Healey Wilan's Six Chorale Preludes, the composer having an association with the church. From Mendelssohn's Organ Sonata No.2 to John Philip Sousa's The Stars and Stripes Forever (in which Alexander Eadon is joined by Paul Collins) this recording represents the full diversity of the 3-manual Walker organ. More >>
In the latest release in Willowhayne Records' acclaimed Experience series, organist John Hosking is joined by soprano Olivia Hunt, violinist Xander Croft and harpist Bethan Griffiths in a varied programme from St Asaph Cathedral. With two world premiere recordings of the music of John Hosking, the recording also includes music by J. S. Bach, Léon Boellmann, Lili Boulanger (her beautiful Pie Jesu) and Sigfrid Karg-Elert's Symphonic Chorale 'Nun ruhen alle Wälder.' More >>
Assistant Director of Music, John Challenger, releases his second album on the Cathedral’s Father Willis Organ. This album was recorded prior to the dismantling of Salisbury's famous instrument, which was built in 1876 and is currently undergoing major restoration. In this new recording, John plays organ works by the nineteenth-century composer and founder of the French Symphonic organ school, César Franck. The programme includes Franck’s Pièce Heroïque, the Prelude, Fugue and Variation, along with the gigantic Three Chorals for Organ, which Franck composed in 1890, immediately prior to his death. This is the first album to be released independently by Salisbury Cathedral, and all proceeds from sales of this recording will help support our music. More >>
Jonathan Hope returns to Willowhayne Records to present the sixth release in their critically acclaimed Experience series. Played on the stunning Harrison & Harrison organ of St Mary Redcliffe, Bristol, (of which Arthur Harrison considered the instrument his best work), Jonathan Hope has chosen a selection of pieces that are perfectly suited to show off all the colours of this magnificent instrument, the disc including his own transcriptions of Brahms' Tragic Overture and Elgar's In the South (Alassio). Several of the works on this disc are given world premiere recordings, including award-winning composer Cecilia McDowall's Sacred and hallowed fire. More >>