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Ivo Varbanovlvo Varbanov is a leading figure of Bulgarian music and culture abroad. He is a recipient of the Ivan Vazov Award for the popularisation of Bulgarian Culture abroad, and in 2011 he was also awarded the Silver Lion Award from the Ministry of Foreign Affairs. His performances have been broadcast on Bulgarian National Radio, BBC Radio, RAI 3, Classic FM+, Spanish National Radio, Slovak National Radio, Bulgarian National TV, BTV, and TV Bulgaria. In 2014 with his wife Fiammetta Tarli, lvo started an independent audiophile record label ICSM Records (Independent Creative Sound and Music Records).

He started to play the piano at the age of 6 In his home town with Eleonora Karamlsheva. Subsequently he studied with Riccardo Bertazzolo and in MIian with the Hungarian pianist Ylonka Deckers from 1987 10 1993. After his graduation at the age of 20, he came to England to work with Sulamita Aronowsky at the RNCM in Manchester and with Frank Wibaut at the Royal Academy of Music, completing his postgraduate studies in 1998 (on a Rotary Foundation Scholarship). He also studied privately with Dennis Lee and was inspired in masterclasses by great artists and teachers such as Alexander Lonquich and Lev Naumov. He has been leading masterclasses himself al the Bulgarian National Music School in Sofia, at the Hochschule für Musik Luzern in Switzerland, and at the Radom Music School in Poland.

His first CD of piano works by Mussorgsky (Gega New) had excellent reviews in BBC Music Magazine, Suono. HFN&RR, In Tune and Kultura. His second CD with Seeli Toivio, released in 2004 (Gega New), was a world premiere of works for cello and piano by lldebrando Piuetti. In 2001 with Michal Orewnowskl (piano), Christo Yotzov and Eti Kukudov (percussion), he created the Voland Quartet. a two pianos and percussion ensemble dedicated to Twentieth Century and contemporary music, with whom he recorded a twentieth-century programme (Gega New, 2006). His fourth recording, again released by Gega New (2007) featured solo piano works by Johannes Brahms. Six more recordings were released in 2014 and 2015 by ICSM Records, the integrate or the four-hand waltzes by Brahms with Fiammetta Tarli (Brahms on the piano volume 1 -ICSM 001), solo piano works by Brahms (Brahms on the piano volume 2 - ICSM 004), another solo programme including late works by Beethoven, Schumann and Brahms (ICSM 002). Stravinsky Petrushka and Rite of Spring for piano four hands in the composer original transcription (with Fiammetta Tarli - ICSM 006), Brahms Cello and Piano Sonatas Op. 38 and Op. 99 with Jozef Lupták (Brahms on the piano volume 3 - ICSM 008). and Brahms Sonata Op. 34b and Haydn Variations Op. 86b for 2 pianos with Fiammetta Tarli (Brahms on the piano volume 4). His performances include concertos, recitals and chamber music in Bulgaria, Italy, the UK, France, Spain, Ireland, Slovakia, Germany, Holland, Poland, Russia, Turkey, and the USA.

Career highlights include multiple performances at the South Bank Centre, Wigmore Hall, King's Place, Cadogan Hall and St. John's Smith Square in London, Carnegie Recital Hall in New York, Bulgaria Concert Hall in Sofia, and Philharmonic Hall in St. Petersburg, After a forced stop from performing from 2009 to 2012 due to Leukaemia he has returned to the stage with impressive performances at Royal Festival Hall with the Royal Philharmonic Orchestra, King's Place, and Cadogan Hall. In the last two seasons he has been partnering in chamber music concerts with his wife Fiammetta Tarli and Konstantin Lifschitz (two pianos/four hands), as well as with the cello players Làslò Fenyö and Jozef Lupták, and the Allegri Quartet. During the last two seasons, lvo has performances in England, Italy, Spain, Germany, Poland, Bulgaria, and Hungary.

He recorded in September 2015 for Hyperion Records the Dimitar Nenov Piano Concerto with the Royal Scottish National Orchestra and Maestro Emil Tabakov.



Brahms on the Piano - Volume 3Johannes Brahms often consolidated his mastery of freshly explored domains by writing two examples in a specific genre in quick succession. His output consequently features such complementary couplings as the Piano Quartets nos. 1 and 2, (Op.25 and 26), the String Quartets Op.51 nos.1 and 2, the Clarinet Trio Op.114 and Clarinet Quintet Op.115, Six Piano Pieces Op118 and Four Piano Pieces Op.119 and, in the field of orchestral music, the Academic Festival Overture Op.80 and Tragic Overture Op.81. A notable exception to this trend is provided by the two sonatas for cello, which are separated by some 21 years and reflect the composer’s changing circumstances: the first is the product of a young man serving notice of his scholarship and maturity, while the second is the work of an older man writing at the peak of his powers with remarkable vigour and intensity.     More >>

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